未來世界 Fabric
Future World Fabric缺席的在場——琺瑯首飾創作
Presence in Absence: Statement of Creation of Enamel Jewelry《島的洄游》馬祖文化資訊圖表創作研究
Island Migration: A Research and Creation of Infographics through Matsu Culture記憶畫面的勾勒— 金屬暨紙材纖維構成創作
Rebuilt the images of journey： A Case Study of Applying KOZO Fiber in Metal以服務主導邏輯觀點探討繪畫創作型企業社會創新之要素
Exploring the Social Innovation Factor of the Art-creation Painting Enterprises from the Perspective of Service-dominant Logic凡事講求效率促使社會大眾的生活步調越來越緊湊，現代人的壓力指數也越來越高。近年來國內外掀起一股主打「療癒」的商業模式風潮，其目的在以商業經營模式去解決情緒舒緩的社會現象，透過以「繪畫創作」所產生的療癒效益帶來很大的市場發展，也形成了一種嶄新的服務創新觀點...
The pursuit of efficiency in all kinds of things makes the life of the social community more and more compact. The level of stress on a daily basis in modern society is also getting higher and higher, and furthermore...
湯尼・奧斯勒（Tony Oursler）作品中「後台」的前移 ──以〈 LOCK2,4,6〉為例
Research of Tony Oursler’s Artworks Moved the Backstage forward: A case study of LOCK 2,4,6.今年初甫於高雄市立美術館展出之美國錄像藝術家，湯尼・奧斯勒（ Tony Oursler，以下簡稱奧斯勒）《黑盒幻魅於形－湯尼・奧斯勒 個展》，此展覽中，除了展示藝術家長期關注人類心理活動以及當代視覺文化下的流行圖像語彙，也展露出這些作品的「後台」，也就是毫不掩飾的投影機、線路等等作品必須具有的設備，但又不屬於觀看體驗一部分的物件。
At the beginning of this year, Black Box, was exhibited at the Kaohsiung Museum of Fine Arts. In addition to showing the artist’s long-term attention to human psychological activities and popular image vocabulary under contemporary visual culture, it also reveals the "backstage" of these works. That is, the undisguised projectors, overt cables, and others. Such equipment that are necessary to present the work, but not a part of the viewing experience.