城市空間的人擬物滲透-蔡彥緯創作研究

The Human Objectification Permeating Through City Spaces—Study of Yan-Wei Tsai’s Art Works

作者

系所:美術學系

作者:蔡彥緯 / 碩士生 / 2015年

指導教授:陳貺怡

中文摘要

我們受身處的環境所影響,而在生活環境當中我們也創造了許多生活物件,這些物件似乎不僅只是「物」的存在,它們也與我們的生活息息相關。環境、我、物,三者之間的關係似乎沒有如表象那樣簡單,在不同環境中我們創造了不同的物件,物件與環境的關聯透過人達到最直接的連結。

本論文研究筆者的創作過程與內容,分析筆者如何結合私密的生活物件與家屋、城市空間,以及探討我們對於現代都市的感受與經驗,如何透過藝術創作的手法產生轉變呈現在平面作品中。

部分重點在於分析「空景」意象,筆者運用大量空景攝影元素於繪畫作品中,因此以攝影及電影之戲劇場景分析空景。而筆者現今作品聚焦於城市題材,「城市空景攝影」便成為作品重點之一。「城市空景攝影」記錄了城市環境變動的片刻,並讓人在觀看時感受到現代城市的冷漠以及那份已失去的鄉愁感。筆者將此影像,以及象徵著筆者自身的個人生活物件,共同組構於畫面當中,表現筆者在城市環境變動下無所適從的迷失感。

另外,分析繪畫與攝影在筆者作品裡的關係。繪畫屬於創作,攝影則有其記錄事實的特性,因此筆者作品屬於融合影像媒材的繪畫創作。

Abstract

We are affected by the environment where we live, and we also create many life objects, which are not just the existence of an “object”, but are also extremely related to our daily lives. The relationship between environments, I, and objects seem not as simple as their superficial conception. In different environments, we create different objects. Environments and objects are directly connected each other through people.

This thesis is to research the process of creating works and the content in the writer’s works, analyzing how the writer combine life objects with household houses and city spaces, probing into our feelings and experiences to the modern city, and indicating how to turn those feelings and experiences into paining through art creations.

One part of the thesis concerns the analysis of the images of “empty space”. The writer has adopted great numbers of these photographical elements to painting. He analyzes empty space on the basis of theatrical scenes of photographing and movie-shooting. Also, his current works of art are focusing on cities. Thus “city empty space photographing” became one of his major topics, which recorded the moments of the changing city environments, and gave spectators a feeling of indifference in the modern city and nostalgia that has been losing for a while. The writer put the images and life objects that symbolize him altogether in painting to express the sense of being confused and lost among changes in the city environment.

In addition, the relationship between painting and photographing in the writer’s works has been analyzed as well. Painting is creating, and photographing recording; therefore, the writer’s works refer to the combination of photographical images and painting.

參考文獻

一、中文書目:
《Sky Blue X Landscape 陳建榮CHEN,CHIEN-JUNG selections 2007-2010》,台北市:台北市立美術館,2010。
李昱宏,《冷靜的暗房》,台北市:書林,2008。
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二、外文書目:
Arthur, John, Realism Photorealism, Tulsa, Philbrook Art Center, 1980.
Lange, Susanne(Herausgeber, Mitarbeiter), Bernd und Hilla Becher - Festschrift: Erasmuspreis 2002, Schirmer Mosel, 2002.
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Levere, Douglas, New York Changing: Revisiting Berenice Abbott's New York, New York, Princeton Architectural Press, 2004.
Merlini, Valeria, Storti, Daniela, Salmon, Dimitri, Georges de La Tour: The Adoration of the Shepherds, Christ with Saint Joseph in the Carpenter’s Shop, Milan, Skira,
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三、翻譯書目:
Bergson,Henri著,姚晶晶譯,《物質與記憶》(Matter And Memory),安徽省合肥市:安徽人民出版社,2003。
Bryson,Norman著,丁寧譯,《注視被忽視的事物:靜物畫四論》(Looking at the Overlooked: Four Essays on Still Life Painting),浙江省杭州市:浙江攝影出版社,2000。
Barthes,Roland著,許綺玲譯,《明室-攝影札記》(La chamber claire-Note sur la photographie),台北市:台灣攝影工作室,1997。
Benjamin,Walter著,許綺玲譯,《迎向靈光消逝的年代》,台北市:台灣攝影工作室,1999。
Cotton,Charlotte著,張世倫譯,《這就是當代攝影》(The Photograph as Contemporary Art),新北市:大家出版社,2013。
Heidegger,Martin著,《建築.居住.思想》(Bauen, Wohnen, Denken),出自《詩.語言.思》,彭富春 譯 / 戴暉 校,北京:文化藝術出版社, 1991。
Simmel,Georg著,周涯鴻、陸莎、沈宇青、劉玉聲譯,出自《橋與門—齊美爾隨筆集》第二十二章〈大都會與精神生活〉,上海:三聯書店,1991。
段義孚著,潘桂成譯,《恐懼》,P.190,新北市:立緒文化,2008。
段義孚著,潘桂成譯,《經驗透視中的空間和地方》,台北市:國立編譯館,1999。
佐藤忠男著,仰文淵、柯聖耀、吳志昂、施小煒、項整元譯,《小津安二郎的藝術》,北京:中國電影出版社,1989。


四、報紙與期刊:
〈專訪尼可拉.布希歐(Nicolas Bourriaud)〉,採訪整理:余小蕙,《今藝術ARTCO》,264期(2014.09),P.114,典藏。
周郁齡,〈不完整的烏托邦─談袁廣鳴的「人間失格」〉,《藝術觀點》,114期(2002.04),P.60-65,國立台南藝術大學。 
張晴文,〈等待答案揭曉的狀態─陳建榮〉,《藝術觀點》,22期(2004.04),P. 93-94,國立台南藝術大學。

五、參考網站:
國家教育研究院—雙語詞彙、學術名詞暨辭書資訊網,網址:http://terms.naer.edu.tw
Kim Conaty,《Print/Out: Felix Gonzalez-Torres》,MoMA,2012.04.04,查詢日期2015.05.17,網址:http://www.moma.org/explore/inside_out/2012/04/04/printout-felix-gonzalez-torres