中文摘要

本論文以喬治‧迪迪-于貝曼的《面對圖像：一種藝術史目的的提問》一書為主要文本，研究他在新藝術史浪潮下所運用的後結構主義方法學，著重於文本第三章「在單純推論限制中的藝術史」以及第四章「圖像撕裂與道成肉身上帝的死亡」來分析他對藝術史與圖像的診斷「人本主義」、「圖像分析主義」、「觀念主義」與「圖式主義」。並且研究其運用「死亡」、「道成肉身」、「徵候」與「裂痕」重新建構藝術史與圖像研究的方法。

研究發現，迪迪-于貝曼以批判的眼光面對文藝復興以來藝術史中蘊含的人本主義特質，分析人本主義在藝術史領域中的結構性問題，以及人本主義思維進入到圖像研究後造成的侷限。他更進一步地運用後設心理學的體系來重新面對藝術史，在圖像研究領域中用佛洛伊德的心理分析的方法來取代潘諾夫斯基的圖像分析方法。最終提出一種新的圖像詮釋。這種面對圖像的特殊方法能夠讓我們找出迪迪-于貝曼意圖開創的藝術史書寫新模式。

Abstract

This article will face "Confront Images: Questioning the Ends of A Certain History Of Art" by Georges Didi-Huberman as main text, to study his Post-structuralism methodology in the wave of New Art History. Focusing on third chapter "The History of Art Within the Limits of Its Simple Reason" and fourth chapter "The Image as Rend and the Death of God Incarnate" of the text to analysis the methods he diagnosis History of Arts—“humanism”, “Iconographism”, “idealism”, “Schematism”, and the find the methods—“the death”, “the Incarnation”, “the symptom”, “the rend”—to re-build History of Arts and Iconography.
This article will show that Didi-Huberman, with a critical gaze, facing the History of Arts from Renaissance contains the characteristics of humanism. Analyzes the structural problems of humanism in the field of History of Arts, and the limitations of Iconography with humanistic thought. Then, he use Metapsychology system to re-face the History of Arts, using Sigmund Freud's Psychoanalysis method to replace Erwin Panofsky's Iconography method. And finally put forward a new Iconology different from Panofsky. This special method of facing images will let us to find the new model of History of Arts that Didi-Huberman intended to create.

參考文獻

迪迪-于貝曼著作
Didi-Huberman, Georges. Devant l’image. Questions posées aux fins d'une histoire de l'art. Paris: Minuit, 1990.
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外文書目

Cassirer, Ernst. Philosophie der symbolischen Formen. Darmstadt : Wissenschaftliche Buchgesellschaft. 1964.
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Kant, Immanuel. The critique of pure reason. trans. J. M. D. Meiklejohn. New York : P. F. Collier. 1901
Winckelmann, Johann Joachim. History of the art of antiquity. tran. Harry Francis Mallgrave. Los Angeles, Calif. : Getty Research Institute, 2006.

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網路資料

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