中文摘要

自20世紀開始，西洋歌劇之藝術形式在兩岸的社會環境中衍生出了各自的本土化創新與改造，並隨之產生了在地化的「延異」，創造出兩岸各有特色的中文歌劇發展路徑、藝術方式與不同的樣態，在文化藝術的風貌上既有相同、相通的地方，又有由不同的社會環境而產生的多樣化風格。在不同的社會形態下，歌劇藝術在兩岸的發展過程中，不僅在主題所要表達的價值觀、意識形態以及人物形象的塑造上均有所區別，更反映出了兩岸歌劇創作者對於中文歌劇在地化本土發展的思維結構與認識上的異同。

本研究從現象出發，以當代兩岸中文歌劇《西施》為研究個案，將透過互文性（Intertexuality）理論，運用文本分析法與對比分析法來探究兩岸歌劇創作者對歷史題材改編作品中西施女性人物的形象塑造，分析兩岸中文歌劇在人物形象創作過程中存在的共性與個性，以期把握兩岸中文歌劇的發展方向，豐富中文歌劇的理論基礎，擴大中文歌劇的研究視角，以此推進中文歌劇研究的更多可能性。

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