電影多畫面影像美學之發展史與敘述策略研究
The History and Narrative Strategies of the Multi-Image Aesthetics in Film觸及閱聽人：中國獨立電影的發行研究
Reaching Audiences: A Study on the Distribution of Chinese Independent Films劇情短片《水黽》創作論述與製作說明
The Creation Description of Short Film:“Floating on Water”中國電影史的研究，在近幾年展現明顯的演變。主要原因大致可以是中國在2005年聲稱「中國電影百年」，並且大肆舉辦紀念活動...
Due to the fact that China considers the year of 2005 as her centenary of film history, in the past few years
當代中國電影創作日趨追求商業利益與娛樂價值，隨著產業的擴張，電影創作的藝術...
匯流時代的台灣電影新分級制度察考
Studies on Taiwan Cinema Censorship and New Ratings System in the Era of Convergence臺灣電影分級制度在民國104年10月完成大幅度的法規修正與電影內容「去管制」的重大制度變革...
In Oct., 2015, substantial amendments and revolutionary “deregulation” of film content were completed for
誰需要電影博物館？—臺灣電影文化資產的論述建構與展示實踐
Who Needs a Film Museum? --- The Cultural Governance and Exhibition Practice of the National Film Heritage in Taiwan電影與博物館都是在十九世紀末引入臺灣，然而長年來，兩者在組織實務與學術研究上並無深入的連結交集。本文...
Both films and museums were introduced to Taiwan at the end of the 19th century. However, for many...